Legolas and Gimli on the walls of Helm's Deep |
loves in other posts, but the main subject with this one will be that of the most misunderstood - and undervalued, overlooked love of all: - Friendship.
Lewis writes that: ''Friendship is - in a sense not at all derogatory to it - that least natural of loves, the least biological, organic, instinctive and necessary,'' and this, to him, makes Friendship the most profound of Loves because because it is freely chosen without any sort of 'benefits' whatsoever. Romantic-lovers are always looking into each other's faces and talking about their love; friends stand side by side looking at (or seeking out) the thing which binds their friendship together; the same truth they both see. Lewis writes ''to the Ancients, Friendship seemed to be the happiest and the most fully human of all the loves; the crown of life and the school of virtue. The modern world, in comparison, ignores it...''
But in Tolkien's books, Friendship is depicted as the most exalted of the loves in a way that - sadly - boggles the modern mind (read the Touchstone article ''A Requiem for Friendship'' to find out why). The whole Tolkien legendarium is littered with pairs of males whose intense, deep and enduring friendships (Frodo and Sam) are just as worthy of honor and recognition as the passion and devotion of the lovers (Beren and Luthien).
And there are many: Frodo and Sam, Aragorn and Eomer, Merry and Pippen, Legolas and Gimli, Gandalf and Bilbo, Eorl and Cirion, Fingorn and Maedhros, Hurin and Beleg and Finrod and Beren, to name the most well-known.
young Turin Turambar and Beleg Strongbow First Age |
The Lord of the Rings it is sad (though not surprising) when they then turn and write Sam and Frodo
slash fiction. Some claim they do this in order that the homosexuality-based union of people can have an 'equal' representation alongside the heterosexual one, but what is really happening is that they are
shadowing and replacing an ancient and praiseworthy expression of platonic, non-sexually driven love
[the love of blood-brothers, bosom-friends and battle-comrades] with an abnormal and objectionable
form of 'love' that is only a kind of lust that turns one's 'friend' into one's lover or one's whore (depending
on the views of the submitting and dominating partners of the 'union'). It is can no longer be considered Friendship. And when fan fiction slash writers force Frodo and Sam or Aragorn and Boromir into these kinds of unions they are not only undermining (and denying) the expressions and the reality of a passionate love grounded in friendship and not homosexual lust but they are also placing themselves above Tolkien by ordering his world and his characters in a way that suits and matches their own worldviews and ideas of
what love should be. Philia-Love can no longer be properly understood, so these 'fans' must make it
another kind, a kind they understand much better, and when this is done the deeper trappings of
friendship grounded in ideals and shared interests rather then sexual desire are torn down so all that
remains is the sexual desire and all the introduced feelings, angst and complications that come with it.
That two people of the same sex can draw their love from the spiritual and emotional plain without
dragging in the baser physical urges is a option that has become lost in the hypersexualized age
where if a character is not screwing someone - anyone, then the relationship(s) of said character are
somehow less interesting or important or meaningful then those of the characters that pursue sex within
a relationship whether straight or homosexual. I find it very sad when two male characters who are
friends or comrades-in-arms in classic literature (King Arthur and Sir Lancelot) or shows (Spock
and Kirk) are depicted in slash fiction as having graphic homosexual encounters and desires. It
takes away the relationship they had as friends and states that deep Philia-Love is either (A) impossible,
(B) uninteresting, or (C) unworthy of recognition or respect: hence it must be changed, overshadowed
or turned into a sexual one.
Fingorn rescuing Maedhros |
Thus, there is no room for friendship, no room for blood-brothers and sword-comrades, no place in literature or film for those who can love without the need or desire for 'benefits'. If one says 'I love you'
to his close friend of the same sex, the only meaning this statement has in the modern mind is: 'I want to screw you.' Even when I say 'I love you' to my good friends - both male and female - I always feel a tiny
twinge of awkwardness because I know that I could be easily misunderstood in my intentions to my
said friends, and that my words now could carry a boatload of secret feelings and 'repressed' desires.
It is a dry and sad place nowdays for those who desire to have close bosom friends as the ancients had
of old, and to share that special kind of love that Tolkien's Frodo and Sam or Legolas and Gimli have.
Once, a man could actually share a bed in friendship with his friend and would not be thought of as being sexually desirous of his bedmate. They could express their love freely and deeply, and thus their friendship would reach deep into their souls, and would 'surpass the love of woman' in its knowledge and depth and feeling: a union of hearts and minds rather then bodies.
Friendship sealed: Elf-King Finrod gives his ring to Barahir (father of Beren One-hand) as a token of his respect and love and later dies defending Beren from Sauron's wolves |
Sam comforting Frodo in Mordor |
whose honor he is always defending against fearful and ignorant men. My personal favorite friendship is the one that grows between Pippen and Beregond, a guard of Minas Tirith and Bergil his son (not in movie). Tolkien uses these characters to convey the life and ways and history of the people of Gondor and so that the reader can develop a feel for the lands and types of peoples that Aragorn is to take kingship of. By getting to know some of the inhabitants of Minas Tirith the readers can sympathize and care about them when the armies of Mordor lay siege to the White City, and the friendships that are forged are a looking-glass into the minds and hearts of the heroes and their choices and manners of expressing themselves. I was finally able to find a wonderful illustration of Pippen and Beregond together that conveys perfectly the kind of love that graces the heroes of Middle-Earth like a beautiful cloak that adorns the forms of the great Elf-Lords: a love without benefits: freely offered; freely chosen.
Pippen and Beregond on the walls of Minas Tirith |
There they are: a Man and a Hobbit, armed and awaiting the great battle; walking together on the walls of Aragorn's great City, talking: expressing their fears and hopes, getting to know each other without any hostility, awkwardness or confusion, and their friendship becomes one in which their bravery and virtue shine forth: they both save Faramir from being burned alive and later, in the battle before the Black Gates, Pippen saves Beregond himself (they both choose to stand in the front ranks) and almost dies too. Merry forms a similar bond of friendship with King Theoden, and by his desire to be with him and Eowyn's desire to go to battle the Witch-King is defeated. In the First Age, the Elf-King Finrod Felagund sets aside his crown and kingdom in order to aid Beren in his quest to obtain a
Silmaril and dies a violent death in Sauron's dungeons while saving him from a werewolf. If these forms of love grounded in friendship can't be considered just as valid and impotent as romantic love then I don't see what can.
All throughout The Lord of the Rings the members of the Fellowship of the Ring (as well as those they befriend throughout their adventures) use the word 'love' to describe their feelings to one another. While watching Theoden, Eomer and Merry ride from Helm's Deep, Aragorn tells his Ranger friend Halbarad: ''There go three that I love, and the smallest [Merry] not the least. He knows not to what end he
rides; yet if he knew, he still would go on.'' These words convey fully his love for the hobbit and recognition of his courage. After Aragorn is crowned King, he embraces Eomer, saying; ''Between us there can be no word of giving or taking, nor of reward; for we are brethren.'' Eomer's reply: ''Since the day when you rose out of the green grass [of the fields of Rohan] I have loved you, and that love shall not fail.'' The love of these two kings is based not just on their own personal friendship but also on the lasting alliance of Rohan and Gondor, each continuing to aid the other throughout the centuries. In Ithlinien Forest, as Sam watches Frodo sleeping peacefully, noticing how old and beautiful he is becoming and the light that seems to be coming from him, he thinks, quite simply: 'I love him.' And after all their great victories, King Aragorn-Elessar is unwilling to let the Fellowship be dissolved, telling them: ''At last all such things must end, but I would have you wait a little while longer: for the end of the deeds that you have shared is not yet come. A day draws near that I have looked for in all the years of my manhood, and when it come I would have my friends beside me.'' Thus when Arwen and the other Elves arrive the whole Fellowship is there to witness the wedding of Elfstone and Evenstar and see the long and secret hoping and labors of Eros come to fulfillment.
Aragorn, Legolas and Gimli tending Boromir's body |
After Boromir dies in battle and the Fellowship is broken, the first thing Aragorn, Legolas and Gimli do is tend to his lifeless body, not just debating how they should lay him to rest (cremation is not even considered; only cultures under the dominion of Sauron burn their dead) but also preparing his body for it: 'Now they laid Boromir in the middle of the boat that was to bare him away. The gray hood and elven-cloak they folded and placed beneath his head. They combed his long dark hair and arrayed it upon his shoulders. The golden belt of Lorien gleamed about his waist. His helm they set beside him, and across his lap they laid the cloven horn and the hilt and shards of his sword; beneath his feet they put the swords of his enemies.' They tow him out onto the river and Legolas and Aragorn sing back and fourth his lament as the funeral boat vanishes into the mists of Rauros-falls. These actions were also not depicted in the movie - which is also not surprising: as no one today cares for the bodies of their dead ones - they are now given over to strangers, usually to be burned. But only when their fallen friend is cared for do the Three Hunters turn to the seemingly more 'important' matters. In this radically diverse group of beings nothing is found lacking in terms of compassion, protection, healing, freedom, duty, hope and courage. Even your dead body is cared for and your requiem sung. These are also great expressions of love, though few are left now to understand - or appreciate - them.
dying for - for he might be the only one who loves you enough to do the same.
Boromir defending Merry and Pippen |
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